The Unknown Craftsman A Japanese Insight into Beauty Download · 109

Soetsu Yanagi ´ 9 Read

The Unknown Craftsman A Japanese Insight into Beauty Download · 109 í This book challenges the conventional ideas of art and beauty What is the value of things made by an anonymous craftsman working in a set tradition for a lifetime What is the value of handwork Why should even the roughly lacuered rice bowl of a K art as a manifestation of the essential world from which art philosophy and religion arise and in which the barriers between them disappear The implications of the author's ideas are both far reaching and practicalSoetsu Yanagi is often mentioned in books on Japanese art but this is the first translation in any Western language of a selection of his major writings The late Bernard Leach renowned British potter a. This series of Yanagi's essays was a lovely exploration of beauty and craft especially the essays entitled Irregularity Why should one reject the perfect in favor of the imperfect The precise and perfect carries no overtones admits of no freedom; the perfect is static and regulated cold and hard We in our own human imperfections are repelled by the perfect since everything is apparent from the start and there is no suggestion of the infinite 120 I think that my favorite essay is The Buddhist Idea of Beauty which includes Passing time cannot affect an object that is truly beautiful 131 and anyone who admires Sung pottery or Coptic textiles is admiring without knowing it the Buddha's signature Anyone who is moved by the beauty of folkcraft is in reality being moved by the invisible power that lies beneath the surface 136Later in a section entitled “Shibusa” a word that suggests uiet pure austerity Yanagi writes “All works of art it may be said are beautiful when they suggest something beyond themselves than when they end up being merely what the are” 150 In this same vein he later asserts “Beauty dislikes being captive to perfection” 151 my favorite sentence in the book

Review ✓ E-book, or Kindle E-pub ´ Soetsu Yanagi

Nd friend of Mr Yanagi for fifty years has clearly transmitted the insights of one of Japan's most important thinkers The seventy six plates illustrate objects that underscore the universality of his concepts The author's profound view of the creative process and his plea for a new artistic freedom within tradition are especially timely now when the importance of craft and the handmade object is being rediscovered. In the last hours of 2018 I completed this astonishing book The book written by potters opened new frontiers in my mind about aesthetics While the authors are the kings of ceramics the book is about creating art which is useful simple functional but not perfect as life is First of all I realized that this book is not for one time read It should be in the bookshelf in a place that is easy to reach As I am not an art producer why does this book matter for me Well we all are or less content creators in a way as a writer of a scientific paper personal office or home designer service provider and etc We create something for others Then we need to comprehend the sense of beauty The authors elegantly combine the worldview of Chang Buddhism or in Japanese way Zen Buddhism wabi sabi idea up till tea ceremonies What I personally loved in this book is the interminable admiration to handmade craftsmanship story behind the pieces Living in the industrial world it is fascinating to read and feel the inner beauty balance and peace in the art I have never imagined the “beauty” as a common good The very same “beauty” that Yanagi himself created throughout his life and discussed in this book is not a personal output It is a collective comprehension of the “beauty” or simply it is a common good Think about if this idea is implemented by an app developer restaurant or a bank to serve a customer

Summary The Unknown Craftsman A Japanese Insight into Beauty

The Unknown Craftsman A Japanese Insight into BeautyThis book challenges the conventional ideas of art and beauty What is the value of things made by an anonymous craftsman working in a set tradition for a lifetime What is the value of handwork Why should even the roughly lacuered rice bowl of a Japanese farmer be thought beautiful The late Soetsu Yanagi was the first to fully explore the traditional Japanese appreciation for objects born not madeMr Yanagi sees fol. I'd never read this classic which informs a lot of writing on the wabi sabi aesthetic and huh there's a few unexpected things in hereUnexpected sweeping generalisations about Korean people Korean work is but an uneventful natural outcome of the people's state of mind because they live in a world of 'thusness' and are uite free from the conflict between the beautiful and the ugly they just make what they make pp 122 123 Koreans it seems are blissfully innocent humble and naive pp 172 173 Oo Unexpected espousing of the 'genius' theory of creativity it's OK for the rest of us though we can take the easy way and surrender ourselves reflecting on our own smallness p 133 which is genuinely a great comfort to me I reflect on my unimportance daily Expected disparagement of the regular the machine made the modernStill great reading on the aesthetic of the everyday and the irregular